Pete Seeger is one of many Western artists to whom Cui Jian is compared, and with good reason. The two men are linked by their commitment to getting their music, and message, to as many people as possible, seeing in the art of songwriting, and the form of a song, a potent tool for reaching audiences.
With Seeger’s recent passing at the age of 95 and recent Cui Jian news, it seems reasonable to turn to a series of events that bring the comparison closer.
Did we all jinx it by getting our hopes up? By “we all” I mean the million reports on the invitation Chinese rock’s alpha and omega, Cui Jian, received to perform on China Central Television’s massivest Spring Festival Gala, and the zillions of zeros and ones involved in the multi-lingual speculations as to whether he’d play “Nothing to My Name” if he accepted.
Alas. Call it the Year of the Hoarse. The New Year will not kick off with a yaogunny bang. At least not on CCTV.
An unusual though, unfortunately, not completely out of the realm of the related subject for this space. Sino-Japanese relations are again in the news, most recently due to a Prime Ministerial visit to a shrine. It’s an incident that plays out repeatedly: The Chinese see the trip as Japanese celebration of war criminals and crimes; the Japanese make the trip to honour those they believe died defending the nation.
At no point between, say, 1931 and today have Sino-Japanese relations achieved a status that might be described as anything better than strained. And the invocation of Harry Potter villainy on both sides only brings things to a new level. It’s a small step from fantasy books and films to yaogun. Though one might not imagine yaogun, or the Midi Music Festival—the country’s longest-running festival—to exist in a context in which this matters, the truth is that there are very few contexts, if any, in which it doesn’t matter. Thusly is a look back called for.
It was, in October of 2003, a risky proposition to invite a Japanese rock band to participate in the fourth Midi Music Festival.
It went from risky to off the DefCon charts after the orgy.
Spring Festival, aka Chinese New Year is upon us. The first day of the Year of the Horse is January 31, which means that on the eve of January 30, a ridiculous number of people will be in front of their television sets, en famille, to watch the always-extravagant and never understated New Year’s Gala (春节联欢晚会). Broadcast on China Central Television, the massive event is something akin to the Superbowl Halftime Show meets Dick Clark’s New Year’s Rockin’ Eve by way of Jerry Lewis Telethon and American Idol finale—only bigger. Sketches, musical performances, comedy routines, celebrity appearances and more ring in the new year as only Chinese variety-show television can. Recall, when you imagine the scale and scope of such a performance, what Beijing did for the Olympic Opening Ceremonies in 2008, and you start to have an idea of what it all looks like.
Though there is nothing that could be less yaogun than the Gala, there are hints that this year’s gala just might get a little dose of rock and roll.
It’s that time of the year(s)… My 5 picks for yaogun albums of 2013.
Posted in General, Red Ramblings
Tagged baishui, Dawanggang, dou wei, omnipotent youth society, PK14, unrest in shadow, zhaoze, 万能青年旅社, 伞, 大亡杠, 沼泽, 白水, 窦唯