Revisiting Cui Jian

When I found, on my various internetty feeds, sources and whatnots, references to an interview conducted by VICE magazine of Chinese rocker number one, Cui Jian, my attention, like many other China-watchers and -blatherers, was piqued. After all, who isn’t constantly on the lookout for Western media mentions of Chinese rock and roll?

From a Shanghaiist link, the video made its way to newsgathering blog Beijing Cream, China Digital Times and to this post at the Washington Post‘s WorldViews blog. The Post‘s post includes my statement – which I’ve also trumpeted in the pages of Red Rock as well as over WNYC’s radio waves and at as many other platforms as is humanly possible – that Cui deserves to be considered for inclusion in the Rock and Roll Hall of Fame.

(“We shall consider,” quoth the Rock Hall website’s induction process page, “factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique, but musical excellence shall be the essential qualification of induction.” It’s not that, say, Heart, or any of the other 2013 inductees don’t deserve admission, it’s just that, well: Raise your hand if you’ve taught a billion people to rock? Anyone…?)

But I digress.

In addition to being piqued by the video interview making rounds, my attention also experienced deja vu, if one might be able to attribute the experience of deja vu to one’s attention. That was because I’d seen this video before, back in 2008, when VICE first posted it.

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Kungfu-ing the Censors

The legacy of the 18th Party Congress, the massive governmental meeting whose most famous act saw the unveiling of the next generation of China’s leadership, lives on. Around Christmas-time, a good month-plus after the Party’s Party comes a video that ends the year with a bang.

An anti-censorship video riffing off of Cantopop (and international-pop) superstar Jay Chou‘s “Nunchucks” has been making the rounds. Fans of Chou, (and, perhaps, fans of Seth Rogan) may recognize the song from the film The Green Hornet, in which Chou co-starred; it is one of two of his contributions to the soundtrack. In the hands of photographer Gao Yuan, though, the tune takes a very different tack, beginning with its subtle title, “Censorship You Motherfucker Bitch.”

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…And The Nominees Are…

The China Rock Midi Awards are set to be handed out this weekend, stepping up the proceedings by having the event at M-Space, the club attached to Beijing’s MasterCard Center, the arena formerly known as Wukesong and kitted out post-Olympics by international massive sports and entertainment presenters AEG. Big ups to Rock in China for their breakdown of the details, and history of the event and its producer. In Red Rock and here on this blog, I’ve moaned about the Awards in the past, but I’m optimistic, as I mentioned in my first post in this two-part series.

Alas, let’s turn to the nominees, which, you’ll note, line up almost exactly nothing like my picks. Almost. So I’m re-picking the folks I’d like to see win…

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